Last year, when columnist Paul Krugman left the NYT, it seemed like yet another example of the traditional media crumbling. But Krugman, as it turns out, is doing great. His popular substack now reaches massive audiences and earns him a seven-figure salary. Inspired by this story, in the ideas segment of today’s episode we take a closer look at key numbers relevant to the question of whether paid newsletters can replace traditional print media. Then, in the practices segment, we study some viral advice for spending less time on your phone.
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Below are the questions covered in today’s episode (with their timestamps). For instructions on submitting your own questions, go to calnewport.com/podcast.
DEEP DIVE:
– Can Substack Save Journalism? + Viral Advice for Ignoring Your Phone [0:30]
PRACTICES:
– How to successfully delete social media [48:12]
QUESTIONS:
– Is it ok to use ChatGPT to try to better understand some classics? [ 1:02:08]
– How do I decide what to write down when I use the notebook method? [1:03:28]
– For professional writers trying to succeed today, isn’t Substack the platform of the moment? [1:06:18]
CAL’S READING UPDATE:
– Cal gives his weekly reading update [1:13:08]
Airframe (Michael Crichton)
The Great Train Robbery (Michael Crichton)
Fantastic Voyage (Isaac Asimov)
YOUTUBE TITLE:
– How Many Substack Millionaires Are There? (The Surprising Math Behind the Newsletter Economy) | Cal Newport
LINKS:
Buy Cal’s latest book, “Slow Productivity” at www.calnewport.com/slow
Order a signed copy of “Slow Productivity” here: https://peoplesbooktakoma.com/event/cal-newport/
Cal’s monthly book directory: bramses.notion.site/059db2641def4a88988b4d2cee4657ba?
https://substack.com/@paulkrugman
https://www.natesilver.net/p/always-be-blogging
https://www.reallygoodbusinessideas.com/p/most-popular-substacks
https://www.pewresearch.org/journalism/fact-sheet/newspapers/
https://daringfireball.net/2024/11/regarding_and_well_against_substack
https://www.youtube.com/watch?v=eUSBKj5ZQpo
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Thanks to Jesse Miller for production, Jay Kerstens for the intro music, Kieron Rees for episode music, and Mark Miles for mastering.


